The Best Cop and Police Action Films of All Time

01
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The Best Cop Action Films of All Time

Dirty Harry
Dirty Harry.

This is not some hastily thrown together "click bait" of the ten best police action films.  Rather this piece is like that of a museum curator (in this case, an Action Film Expert), carefully considering years of experience to judiciously create the definitive Top 10 Cop and Police Action Films List.

There are many famous cop action movies that will not make the list.  Beverly Hills Cop with Eddie Murphy for instance.  It's a film about

02
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Heat

Contribution to Genre:  Not the first slick, well produced police drama ever made, but certainly the best.

Perhaps the definitive police film of all time, Michael Mann's classic Heat is a three hour tour de force masterpiece that tracks a criminal crew (led by Robert DeNiro) and a team of detectives (led by Al Pacino) as they track and elude one another.  The joy of the film is realizing that the men are almost the same:  DeNiro and Pacino essentially play the same sort of character, each leading their own crew.  The only difference being that one chose to get his high as a police officer, the other as a bank robber.  Containing exciting robberies and thrilling shootouts, it's filled with over the top characters and a very sophisticated script (you need to watch it a couple of times or else really pay attention to catch everything).  

(This film also made our top heists movie list!)

03
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Dirty Harry

Dirty Harry
Dirty Harry.

Contribution to Genre:  The meme of the rogue cop that does things his own way?  That started here.

The original Dirty Harry is the best of the franchise and also gave onto us the classic character of Dirty Harry, a cop that doesn't play by the rules.  Whether it's threatening to execute a bad guy in broad daylight, "Do you feel lucky, punk?" or simply not following the rules this is the cinema's first rogue cop that audiences loved to cheer.  (In our action star square off, we had Dirty Harry in a fictional fight against Bruce Willis' John McClane.)

04
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Die Hard

Die Hard
Die Hard.

Contribution to Genre:  A franchise so popular, it started another genre.

Die Hard is simply one of the best, most influential action films ever made.  The simple premises of cop trapped alone in a skyscraper with a bunch of terrorists, created an entire sub-genre within action pictures.  At least two decades later, audiences, critics, and at pitch meetings all over Hollywood, films were being described as, "It's Die Hard in a..."  (We list what a lot of these were here.)  Unfortunately, it was a beloved franchise that Hollywood drove into the ground and destroyed.

05
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Lethal Weapon

Lethal Weapon

Contribution to Genre:  Suicidal Cop

It was one of the all-time great concepts for a character, particular a lead character in a police action film:  The main character, devastated after the loss of his loving wife, is suicidal, but he can't quite bring himself to kill himself, but he wouldn't mind if it happens in the line of duty.  Enter, a half dozen action scenes where the protagonist chases bad guys without regard for his own life, and engages in death defying action scenes, not really caring if he lives.  And brought to life with Mel Gibson's intensity, Martin Riggs was one of the great Hollywood characters.  Until, like Die Hard, it became a watered down weak shadow of its former self in multiple sequels.

06
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The French Connection

Contribution to Genre:  A cop movie where the streets were dirty, the characters were rough, and the fights were violent.

History in the making again.  The French Connection was a different type of cops and robbers movie.  It's main character Popeye Doyle (Gene Hackman) swore and was rough, and the city he inhabited was dirty and grimy and felt used-in and lived-in.  The chase scenes were intense and riveting.  It was violent.  I don't know, because I wasn't alive back then, but I've been told that prior to this, the police presence in Hollywood was more like Dragnet, this real stoic professionalism and uber naivety about the real struggles of the criminal justice system. That and it's a great film that holds up even by today's standards.

07
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Beverly Hills Cop

Contribution to Genre: The ultimate fish-out-of-water cop movie.

If you haven't seen this comedy / action classic, it still holds up pretty good today.  It's also a great window into the 1980s and you can immediately tell why this was a huge hit in the year it was released.  Eddie Murphy is Axel Foley, another famous police role, a street-wise Detroit detective, by a strange twist of circumstances, that takes up assignment in the rich, culturally affluent, sunny Beverly Hills in California.  It's the basic fish out of water story played a half-dozen different ways:  Inner city vs. rich suburbs, rich vs. poor, black vs. white, Detroit vs. California.

08
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48 Hours

Contribution to Genre:  The first great police buddy movie.

Eddie Murphy plays his Murphy schtick, which is funny enough on its own.  But played against Nick Nolte's incredulous, frustrated partner, it's hilarious.  Consider Nolte in this film a giant magnifying glass that grows and intensify's Murphy's once considerable power.  This is the first great cop buddy movie.  And you can't have a police cop genre without the buddy movie.

09
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End of Watch

Contribution to Genre: Most realistic cop movie ever made.

End of Watch is a favorite of police officers.  It's a favorite of cops because the film perfectly nails the behavior of cops and the cameraderie that exists between partners.  And, in addition to all of that, it offers a mean portrayal of the streets of L.A.  This is a movie where cops are ordinary men, and also heroes.  (Oh yeah, it's also a butt kicking action film that'll really get your pulse going as the cartel targets two beat cops that quickly find themselves out of their league.)

10
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Training Day

Contribution to Genre: Best "bad" cop ever introduced to cinema.

Denzel Washington's best role ever...best ever...is in Training Day, as a corrupt cop that's breaking in a new rookie partner.  Detective Alonzo Harris is as scary as it gets, not just because he's a psychopath masquerading as a good cop (the good cop whom is, interestingly, masquerading as a psychopath...it's not like a triple level scam), but because he's also always three moves ahead of anyone else.

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Rico, Johnny. "The Best Cop and Police Action Films of All Time." ThoughtCo, Feb. 22, 2016, thoughtco.com/best-cop-and-police-action-films-3883221. Rico, Johnny. (2016, February 22). The Best Cop and Police Action Films of All Time. Retrieved from https://www.thoughtco.com/best-cop-and-police-action-films-3883221 Rico, Johnny. "The Best Cop and Police Action Films of All Time." ThoughtCo. https://www.thoughtco.com/best-cop-and-police-action-films-3883221 (accessed November 19, 2017).