<p><b>Definition: </b><br/>The word “cento” means “patchwork” in Latin, and refers to a poem pieced together from lines taken from other poems — in other words, a collage poem. From the very beginning, poets have quoted other poets, stolen phrases and lines and reworked them into their own poems. A cento makes this process formally explicit, line by line</p><p>It is perhaps worth remembering T.S. Eliot’s famous statement about literary “theft” in this context:</p><blockquote class="no"><i>“Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.”</i></blockquote><p>Some poets make small changes in the lines they appropriate for a cento; others adopt the lines without amendment. Usually a cento will use no more than one line from each source poem; the sources may be poems of a single poet, or many poets, or even many different languages. In any case, the art of creating a cento is in the combination of a sequence of lines rather than in the construction of the lines themselves.</p><p><b>Examples: </b><br/>A single cento (actually half-cento) is in our library here at About Poetry:</p><ul><li>“SemiCento” by Bob Holman</li></ul>See <a href="https://www.thoughtco.com/poetry-4133232" data-component="link" data-source="inlineLink" data-type="internalLink" data-ordinal="1">our cento links</a> to read more examples of cento poems online.