Oslo Opera House in Norway, Architecture by Snohetta

01
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Connecting Land and Sea

White marble and glass of the Oslo Opera House in Norway
White marble and glass of the Oslo Opera House in Norway. Photo by Patrick Donovan/Moment Collection/Getty Images

Approaching the National Opera house from the harbor in Oslo, you may imagine that the building is an enormous glacier sliding into the fjord. White granite combines with Italian marble to create the illusion of glistening ice. The sloping roof angles down to the water like a jagged chunk of frozen water. In winter, natural ice flows make this architecture indistinguishable from its environment.

Completed in 2007, the Oslo Opera House (Operahuset in Norwegian) reflects the landscape of Norway and also the aesthetics of its people. The government wanted the new Opera House to become a cultural landmark for Norway. They launched an international competition and invited the public to review the proposals. Some 70,000 residents responded. Out of 350 entries, they chose the Norwegian architecture firm, Snøhetta.

Architects from Snøhetta proposed a building that would become an integral part of the City of Oslo. Connecting land and sea, the new Opera House would seem to rise up from the fjord. The sculpted landscape would become not just a theater for opera and ballet, but also a plaza open to the public.

Along with Snøhetta, the project team included:

  • Theatre Design: Theatre Projects Consultants
  • Acoustic Design: Brekke Strand Akustikk and Arup Acoustic
  • Art Installations: Kristian Blystad, Kalle Grude, Jorunn Sannes, Astrid Løvaas og Kirsten Wagle
  • Construction: The Norwegian company, Veidekke
  • Engineers: Reinertsen Engineering, Ingenior Per Rasmussen, Erichsen & Horgen
  • Contractor: Scandiaconsult
  • Project Manager: Stagsbygg

Learn More:

  • The Most Beautiful Opera Houses in the World by Guillaume de Laubier and Antoine Pecqueur, Abrams, 2013
    Buy on Amazon
  • Cathedrals of Culture, DVD, 2014
    Buy on Amazon

02
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Walk the Roof at the Operahuset

Oslo Opera House in Oslo, Norway
Oslo Opera House in Oslo, Norway. Photo © Jackie Craven

From the ground, the roof of the Oslo Opera House slopes steeply up, creating an expansive walkway past the high glass windows of the interior foyer. Visitors can stroll up the incline, stand directly over the main theater, and enjoy views of Oslo and the fjord.

"Its accessible roof and broad, open public lobbies make the building a social monument rather than a sculptural one."—Snøhetta

Builders in Norway are not encumbered by the European Union safety codes. There are no hand rails to hamper views at the Oslo Opera House. Ledges and dips in the stone walkway force pedestrians to watch their steps and focus on their surroundings.

Source: Snøhetta website [accessed December 18, 2015]

03
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Architecture Marries Art at Operahuset

Roof of Oslo Opera House
Roof of Oslo Opera House. Photo © Jackie Craven

The architects at Snøhetta worked closely with artists to integrate details that would capture the play of light and shadow.

Walkways and the roof plaza are paved with slabs of La Facciata, a brilliant white Italian marble. Designed by artists Kristian Blystad, Kalle Grude, and Jorunn Sannes, the slabs form a complex, non-repetitive pattern of cuts, ledges, and textures.

Aluminum cladding around the stage tower (left side of photo) is punched with convex and concave spheres. Artists Astrid Løvaas and Kirsten Wagle borrowed from old weaving patterns to create the design.

04
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Step Inside the Oslo Operahuset

Lobby of the Oslo Opera House
Lobby of the Oslo Opera House. Photo © Jackie Craven

The main entrance to the Oslo Opera House is through a crevasse beneath the lowest portion of the sloping roof. Inside, the sense of height is breathtaking. Clusters of slim white columns angle up, branching toward the vaulting ceiling. Light floods through windows that soar as high as 15 meters.

With 1,100 rooms, including three performance spaces, Oslo Opera House has a total area of about 38,500 square meters (415,000 square feet).

05
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Amazing Windows and a Visual Connection

Windows at the Oslo Opera House
Windows at the Oslo Opera House. Photo © Jackie Craven

Designing windows 15 meters high poses special challenges. The enormous window panes at the Oslo Opera House needed support, but the architects wanted to minimize the use of columns and steel frames. To give the panes strength, glass fins, secured with small steel fittings, were sandwiched inside the windows.

Also, for window panes this large, the glass itself needed to be especially strong. Thick glass tends to take on a green color. For better transparency, the architects selected extra clear glass manufactured with a low iron content.

On the southern façade of the Oslo Opera House, solar panels cover 300 square meters of the window surface. The photovoltaic system helps power the Opera House by generating an estimated 20 618 kilowatt hours of electricity a year.

06
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Art Walls of Color and Space

Illuminated wall panels at the Oslo Opera House
Illuminated wall panels at the Oslo Opera House. Photo © Jackie Craven

A variety of art projects throughout the Oslo Opera House explore the building's space, color, light, and texture.

Shown here are perforated wall panels by artist Olafur Eliasson. Encompassing 340 square meters, the panels surround three detached concrete roof supports and take their inspiration from the glacial shape of the roof above.

Three-dimensional hexagonal openings in the panels are illuminated from the floor and from behind with beams of white and green light. The lights fade in and out, creating shifting shadows and the illusion of slowly melting ice.

07
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Wood Brings a Visual Warmth Through Glass

"Wave Wall" at the Oslo Opera House. Photo © Jackie Craven

The interior of the Oslo Opera House is a stark contrast from the glacial landscape of white marble. At the heart of the architecture is a majestic Wave Wall made from strips of golden oak. Designed by Norwegian boat builders, the wall curves around the main auditorium and flows organically into timber stairways leading into the upper levels. The curved wood design within glass reminded me of the EMPAC, an American performing arts venue constructed at roughly the same time (2003-2008) as the Oslo Operahuset.

The main stage is one of three theaters in addition to various offices and rehearsal spaces.

08
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Move Through Golden Corridors at the Operahuset

Oslo Opera House Gallery
Oslo Opera House Gallery. Photo © Jackie Craven

Moving through glowing wooden corridors at the Oslo Opera House has been compared to the sensation of gliding inside a musical instrument. This is an apt metaphor: the narrow oak slats that form the walls help modulate sound. They absorb noise in passageways and enhance acoustics inside the main theater.

The random patterns of oak slats also bring warmth to the galleries and passageways. Capturing light and shadows, the golden oak suggests a gently glowing fire.

09
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Sound Design for the Main Theatre

Main Theater at Oslo Opera House, looking from stage out to audience seating
Main Theater at Oslo Opera House. Press photo by Erik Berg

The main theater at Oslo Opera House seats approximately 1,370 in a classic horseshoe shape. Here the oak has been darkened with ammonia, bringing richness and intimacy to the space. Overhead, an oval chandelier casts a cool, diffused light through through 5,800 hand-cast crystals.

The architects and engineers for the Oslo Opera House designed the theater to place the audience as close as possible to the stage and also to provide the best possible acoustics. As they planned the theater, the designers created 243 computer-animated models and tested sound quality inside each one.

The auditorium has a 1.9-second reverberation, which is exceptional for a theater of this type.

  • Balconies at the side of the theater reflect sound down to the audience, while balconies at the rear send sounds in multiple directions.
  • The oval ceiling reflector reflects sounds.
  • Convex panels along the rear walls help spread sound evenly through the theater.
  • Mobile towers with timber slats modulate sound according to their wavelengths.
  • Dense oak material along the balcony fronts and the rear wall resist high frequency vibrations.

Learn More:

  • Site and Sound: The Architecture and Acoustics of New Opera Houses and Concert Halls by Victoria Newhouse, Monacelli Press, 2012
    Buy on Amazon
  • The Acoustics of Performance Halls: Spaces for Music from Carnegie Hall to the Hollywood Bowl by J. Christopher Jaffe, Norton, 2010
    Buy on Amazon
  • Concert Halls and Opera Houses: Music, Acoustics, and Architecture by Leo Beranek, Springer, 2003
    Buy on Amazon

10
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A Sweeping Plan for Oslo

Oslo Opera House within a redeveloped waterscape in Oslo, Norway
Oslo Opera House within a redeveloped waterscape in Oslo, Norway. Photo by Mats Anda/Moment Collection/Getty Image

The National Opera House is the foundation for a sweeping urban renewal of Oslo's once-industrial waterfront Bjørvika area. The high glass windows designed by Snøhetta offer public views of ballet rehearsals and workshops, counterpoint to the neighboring construction cranes. On warm days, the marble-paved roof becomes an appealing site for picnics and sunbathing, as Oslo is reborn before the public's eyes.

Oslo's expansive urban development plan calls for redirecting traffic through a new tunnel, the Bjørvika Tunnel completed in 2010, constructed beneath the fjord. Streets around the Opera House have been transformed into pedestrian plazas. Oslo's library and the world-famous Munch Museum, which houses works by Norwegian painter Edvard Munch, will be relocated to new buildings adjacent to the Opera House.

The home of the Norwegian National Opera & Ballet has anchored the redevelopment of Oslo's harbor. The Barcode Project,  where a string of young architects have created multi-use residential buildings, has given the city a verticality not known before. Oslo Opera House has become a lively cultural center and a monumental symbol for modern Norway. And Oslo has become a destination city for modern Norwegian architecture.

Learn More:

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Note: As is common in the travel industry, the writer was provided with complimentary services for review purposes. While it has not influenced this review, About.com believes in full disclosure of all potential conflicts of interest. For more information, see our Ethics Policy.