Humanities › English Paragram (Word Play) Share Flipboard Email Print The Worst Paragram. Copyright © 2010, Zazzle Inc. English English Grammar An Introduction to Punctuation Writing By Richard Nordquist English and Rhetoric Professor Ph.D., Rhetoric and English, University of Georgia M.A., Modern English and American Literature, University of Leicester B.A., English, State University of New York Dr. Richard Nordquist is professor emeritus of rhetoric and English at Georgia Southern University and the author of several university-level grammar and composition textbooks. our editorial process Richard Nordquist Updated February 12, 2020 A paragram is a type of verbal play consisting of the alteration of a letter or a series of letters in a word. Adjective: paragrammatic. Also called a textonym. Etymology From the Greek, "jokes by the letter" Examples and Observations Deborah Dean: A specific kind of word play traditionally called paronomasia, or more currently called a paragram, changes one or more letters of a word or expression to create humor or irony or, Collins (2004) suggests, to achieve 'dramatic, critical--or bathetic--effect' (p. 129). Thus, Swan Lake becomes Swine Lake in a Marshall book (1999) about pigs performing a ballet; a chapter on grammar in electronic communication in Woe Is I (O'Conner, 2003) is titled 'E-mail Intuition'; and Lars Anderson (2005) uses a paragram in the title of a Sports Illustrated article about exercise programs for NASCAR pit crews with 'Making a Fit Stop.' Once they're aware of paragrams, students will find them everywhere.Sheila Davis: A paragram is a play on words made by altering a word, or sometimes only a letter, in a common expression or literary allusion. I did it earlier in 'an axiom waiting to happen'--a play on the colloquialism, 'an accident waiting to happen.' The majority of the following paragram titles emanate from the Nashville area; it would seem that country writers have virtually cornered the market on twisting the idiom... Friends in Low PlacesThe High Cost of LovingEvery Heart Should Have OneCan't Teach My Old Heart New TricksYou're Gonna Love Yourself in the Morning John Lechte: In her work of the late 1960s, . . . [literary critic Julia] Kristeva uses the term 'paragram' (also used by Saussure) rather than anagram because she is intent on emphasizing the idea that language is, in its essence, doubly constituted: it has a material base which insists poetically . . . in the textual message or in the text as a vehicle of communication. 'Paragram' rather than 'anagram,' then, because the poet is not only creating poetic language, but is equally created by his language... 'Paragram' thus points beyond the letter as such to the phonic pattern of language, that is, towards its 'volume' which 'breaks up the linearity of the signifying chain.'Steve McCaffery: The paragram (which in its rhetorical manifestation includes acrostics and anagrams) is a fundamental disposition in all combinatory systems of writing and contributes to phoneticism its partly transphenomenal character. Paragrams are what Nicholas Abraham terms figures of antisemantics, those aspects of language that escape all discourse and that commit writing to a vast, nonintentional reserve, According to Leon Roudiez, a text may be described as paragrammic 'in the sense that its organization of words (and their denotations), grammar, and syntax is challenged by the infinite possibilities provided by letters and phonemes combining to form networks of significance not accessible through conventional reading habits' (in Kristeva 1984, 256). Kate Kelland: A new language is being developed by mobile phone-addicted kids based on the predictive text of their treasured handsets. Key words are replaced by the first alternative that comes up on a mobile phone using predictive text--changing 'cool' into 'book,' 'awake' into 'cycle,' 'beer' into 'adds,' 'pub' into 'sub' and 'barmaid' into 'carnage.'... The replacement words--technically paragrams, but commonly known as textonyms, adaptonyms or cellodromes--are becoming part of regular teen banter. Some of the most popular textonyms show intriguing links between the originally intended word and the one the predictive text throws up--'eat' becomes 'fat' and 'kiss' becomes 'lips,' 'home' is 'good' and the vodka brand 'Smirnoff' becomes 'poison.'